Breakfast on Pluto, 2019-20, repurposed objects, fabric, embossed aluminum, rotating platform, 6.5 ft.h x 5ft.d x 5ft.w Fatigue, 2019, repurposed wood shelves, net skirt, and 3-minute loop video (2004), video monitor 48”h x 30”w x 5”d
Dinner on the Dark Side, mixed media, rotating top ball, 7’x3’x6′, 2021 Pathetic, 2014- 19, embossed aluminum, wood, found objects, electric neck massager. 7 ft. x 5 ft. x 4 ft.
Installation detail, Village of Men (6 ft x 5 ft x 5 ft) with Marine Bomb (4″ x 4″), LIU, NYC, 2009 Bed Shoe Home: Poverty and Homelessness in Champaign-Urbana, detail of walk-in book, title page panel, embossed aluminum, transparency, 12′ x 12′, 2017. Bed Shoe Home: Workshop for Art and Social work students, Belen Arias drawing her visualized heart, 2016. Jack’s Weeds, note found in elderly man’s home, transferred to metal, 11″ x 13″, Cedar Rapids, Iowa, 1984. Bed Shoe Home: “The Cracked Ceiling”, remembered place drawing by anonymous participant, embossed aluminum over wood, 12″ sq., 2016. I Promise To Do My Best, from original alphabet pasta craft by Ann Gilmor at age 6, 5″ x 7″, transferred metal, 2002
Little Village Magazine interview
Jane Gilmor at A.I.R. Gallery
Jane Gilmor: I’ll be back for the cat , monograoh by Joy Sperling
Breakfast on Pluto